#DANGEROUS DBOX HOW TO#

However, both outputs are always fed with whatever's being auditioned on the monitors - which is probably the biggest limitation to the unit's flexibility and suitability.

Working through the front-panel controls, to the left is a pair of quarter‑inch headphone output sockets, each with independent level control.

#DANGEROUS DBOX HOW TO#

It isn't necessary to read the manual to know how to use the product, but some additional insights can be gleaned from a quick perusal, and the configuration mods aren't entirely obvious without checking the manual first. The D‑Box is a 1U rackmounting device, and its front panel is well laid out with logical control groupings and clear legends.

The separate facilities - at this quality level - would ordinarily cost significantly more than the D‑Box, which manages to combine them in a useful way to meet the needs of many home studios looking to maximise the quality of mixdowns and monitoring. On top of that,there's a separate eight‑input summing section with monitoring of its output. The monitoring portion of the D‑Box includes facilities to drive two sets of stereo monitors, has talkback and cue headphone feeds for performers, built‑in D‑A conversion for one of two digital sources and an external analogue input. It is a neat and compact solution that has been designed to suit a specific sub‑section of the relatively large home‑studio market.

One of their latest offerings is a combined monitor controller and analogue summing-bus system - essentially merging the key elements of their bespoke Monitor ST and 2‑Bus LT units into one convenient product. This neat new hybrid product appears to be defining its own market niche, but can it really be all things to all people?ĭangerous Music are a company who thrive on providing neat solutions to typical studio workflow problems, with audio quality always at the top of the design priorities list.

Dangerous dbox